Capital One NCECA Exhibitions 2020

Surface & Symbol: The Diverse Language of Clay

In 2020, the Capital One Art Program engaged Rigby as the designer and coordinator of “Surface & Symbol, The Diverse Language of Clay,” to be shown on their main corporate campus in Richmond for the National Council on Education for the Ceramic Arts Annual Conference (NCECA). By hosting this exhibition, Capital One showcased the diversity of ceramics, providing visibility to local, regional, and national artists and organizations.

The artwork was installed during the final week of February 2020. Immediately after the installation, the world changed due to COVID-19. All Capital One facilities were closed to nonessential employees, and the conference was canceled. Serendipitously, photographer David Hunter Hale had been hired by Capital One to record each installation. These images are now the only record of the “Surface & Symbol” exhibition.

Exhibits included solo shows by Andréa Keys Connell (Boone, NC); Jeremy Jernegan (New Orleans, LA); Kendra Dawn Wadsworth (Richmond, VA); and Rebekah Wostrel (Richmond, VA). Group exhibits were presented by The Archie Bray Foundation (Helena, MT); Pottery Northwest (Seattle, WA); and the Workhouse Arts Center (Lorton, VA). A female collective presented “Women Who Woodfire,” which included the Pawmunkey Black Ware Pottery story, focusing on Mildred Gentle Rain Moore. A highlight video with more information can be found on the Media page of this site.

The following is a brief selection of the photographer’s images of the installations.

Andréa Keys Connell, “Made of Wool and Leaves,” 2019, clay, 38” x 22” x 12”. Photo credit: David Hunter Hale
Andréa Keys Connell with her artwork, “The Archer,” 2018, clay, 32” x 20” x 12”. Photo credit: David Hunter Hale
Standing in the Clouds final installation. Artwork by Andréa Keys Connell. Photo credit: David Hunter Hale
Pottery Northwest Resident Artist Exhibition. Hanako O’Leary, “Kokoro no Oni (Demon of the Heart),” 2017, clay, casein paint, silver and gold leaf, 24” x 24” x 8”. Photo credit: David Hunter Hale
Pottery Northwest Resident Artist Exhibition. Installer placing Jake Brodsky’s, “Moon Jar,” 2019, clay, slip, soda fired, 20” x 20” x 20”. Photo credit: David Hunter Hale
Pottery Northwest Resident Artist Exhibition. Anyuta Gusakova, “Sugar Horse,” 2019, porcelain, glaze, and acrylic. 15” x 13” x 6”. Tzyy Yi Young, “You and Me,” 2015, porcelain, 20” high x 16” x 16”. Photo credit: David Hunter Hale
Pottery Northwest Resident Artist Exhibition. Ling Chun, “Vaccinium Deliciosum,” 2019, clay, glaze bit, 10” x 10” x 11”. Placement of Chun’s, “Glaze Painting #2,” 2016, 20” x 16”. Photo credit: David Hunter Hale
2020 Archie Bray Foundation Resident Artists. Steven Young Lee, “Meiping Vase with Scroll Pattern,” 2014, porcelain, white slip, glaze, 18” x 12” x 11”. Photo credit: David Hunter Hale
2020 Archie Bray Foundation Resident Artists. Jessica Brandl, “Fury,” 2018, red stoneware, underglaze, paint, 15” x 5.5” x 3.5”. Photo credit: David Hunter Hale
2020 Archie Bray Foundation Resident Artists. Placement of Nick Weddell’s, “Taking It Easy,”2020, porcelain and glaze, 8” x 10” x 12”. Photo credit: David Hunter Hale
Manifest. Jeremy Jernegan, “Pinwheel: Deny,” 2019, ceramics and stainless steel, 84” x 84” x 7”. Photo credit: David Hunter Hale
Manifest.. Placement of Jernegan’s, “False Return,” 2019, ceramic and stainless steel, 61” x 39” x 9”. With “Pinwheel: Heat,” 2019, ceramics and stainless steel, 85” x 85” x 5”. Photo credit: David Hunter Hale
Workhouse Ceramics – Resident Artists. Sarah Boltersdorf with her artwork, “Resilient,” 2019, ceramic, 13” x 10” x 10”. Photo credit: David Hunter Hale
Workhouse Ceramics – Resident Artists. Placement of Sarah Petty’s, “Lost & Found,” 2018, ceramic, 16” x 30” x 14”. Photo credit: David Hunter Hale
Workhouse Ceramics – Resident Artists installation, with Anne Fletcher, Art Administrator for Capital One. Artwork by Brian Grow and Joan Ulrich. Photo credit: David Hunter Hale
Women Who Woodfire. Zoë Powell, “Sinter Series,” 2019, stoneware, approximately 19” high. Photo credit: David Hunter Hale
Women Who Woodfire. Beatriz Gutiérrez Gonzalez with her artwork, “Bowl I,” 2019, wood fired ceramic, 10” x 10” x 6.5”. Photo credit: David Hunter Hale
Women Who Woodfire. Joanna Gragnani, “Three Mouth Vase,” 2017, wood fired porcelain, 6” x 6” x 11”, Photo credit: David Hunter Hale
Iterations. Rebekah Wostrel placing her artwork in earthenware and glaze. Photo credit: David Hunter Hale
Extension. Kendra Dawn Wadsworth, “Metastasized,” 2017, steel, Brooklyn red, lichen glaze, 8” x 5” x 4”. Photo credit: David Hunter Hale
Extension. Placement of Wadsworth’s, “Esther” and “Amore,” mixed media and clay. Photo credit: David Hunter Hale
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