Capital One NCECA Exhibitions 2024

In 2024, the Capital One Art Program hosted a series of exhibitions titled, “Clay: A New Vocabulary,” coordinated and curated by Dena Rigby, to coincide with the 2024 National Council on Education for the Ceramic Arts Annual Conference (NCECA). These six solo and group exhibitions took place on their main corporate campus in Richmond, Virgina. These exhibitions considered how artists approach the use of clay with both contemporary and traditional techniques, and express recent changes both personally and as a society after pivotal years of change. This show followed the 2020 Capital One NCECA Exhibitions that were cancelled after installation, due to the national shutdown.

The 2024 exhibits included solo shows by Andréa Keys Connell (Boone, NC) and Adam Paulek (Farmville, VA). Group exhibitions included, “Clay: A New Vocabulary,” “Hitomi and Takuro Shibata: Ambassadors in Clay,” “Ceramic Highlights from the Collection,” and “Potters of the Old Ridge Anagama (curated by Randy Edmonson).”

Amy Chan and Debbie Quick, Untitled, clay, glaze, spray paint, vinyl, photo by David Hunter Hale
Amy Chan and Debbie Quick, Untitled, clay, glaze, spray paint, vinyl. Photo credit: David Hunter Hale
Clay: A New Vocabulary Exhibition, artist’s work shown include Paloma Wall, Deshun Peeples, and Carren Clarke; photo by David Hunter Hale
“Clay: A New Vocabulary Exhibition,” artist’s work shown include Paloma Wall, Deshun Peeples, and Carren Clarke. Photo credit: David Hunter Hale
Jeremy Brooks clay pieces titled Knot Pots made from porcelain and oxidation; photo by David Hunter Hale
Jeremy Brooks, “Knot Pots,” porcelain and oxidation. Photo credit: David Hunter Hale
Sarah Wise clay piece titled Dichotomous Departing, made with red clay and hand-painted cobalt; photo by David Hunter Hale
Sarah Wise, “Dichotomous Departing,” red clay and hand-painted cobalt.
Carren Clarke, “The Traveler,” clay
Carren Clarke, “The Traveler,” clay.
Deshun Peoples, “Blood Kin,” glazed colored porcelain, stoneware, and steel
Deshun Peoples, “Blood Kin,” glazed colored porcelain, stoneware, and steel.
Hitomi and Takuro Shibata clay pieces titled Ambassadors in Clay, woodfired stoneware and wild clays; photo by David Hunter Hale
Hitomi and Takuro Shibata, “Ambassadors in Clay,” woodfired stoneware and wild clays. Photo credit: David Hunter Hale
Hitomi and Takuro Shibata, “Ambassadors in Clay,” woodfired stoneware and wild clays, with their book cover, “Wild Clay.”
Hitomi and Takuro Shibata, “Ambassadors in Clay,” woodfired stoneware and wild clays, with their book cover, “Wild Clay.”
Hitomi Shibata clay pieces titled Treat Nature By Means of the Sphere, the Cone and the Cylinder, stoneware and wild clays; photo by Studio Touya
Hitomi Shibata, “Treat Nature By Means of the Sphere, the Cone and the Cylinder,” stoneware and wild clays. Photo credit: Studio Touya.
Hitomi and Takuro Shibata clay pieces titled Ambassadors in Clay, woodfired stoneware and wild clays. Photo credit: David Hunter Hale
Hitomi and Takuro Shibata, “Ambassadors in Clay,” woodfired stoneware and wild clays. Photo credit: David Hunter Hale
Andréa Keys Connell sculpture entitled Shelter made with clay, glaze, and underglaze, photo by David Hunter Hale
Andréa Keys Connell , “Shelter,” clay, glaze, and underglaze. Photo credit: David Hunter Hale
Andréa Keys Connell clay sculpture titled Hug 1, clay and underglaze; photo by David Hunter Hale
Andréa Keys Connell, “Hug 1,” clay and underglaze. Photo credit: David Hunter Hale
Andréa Keys Connell sculpture titled Hug 3, clay and underglaze; photo by David Hunter Hale
Andréa Keys Connell, “Hug 3,” clay and underglaze. Photo credit: David Hunter Hale
Andréa Keys Connell, clay sculpture titled What Comes Down, Must Go Up, clay and underglaze; photo by David Hunter Hale
Andréa Keys Connell, “What Comes Down, Must Go Up,” clay and underglaze. Photo credit: David Hunter Hale
clay art display titled Potters of the Old Ridge Anagama, curated by Randy Edmonson; photo by David Hunter Hale
“Potters of the Old Ridge Anagama,” curated by Randy Edmonson. Photo credit: David Hunter Hale
Cricket Edmonson clay pieces titled Jars, woodfired stoneware; Dan Molyneux clay piece titled Tenmoku Teabowl, woodfired stoneware; photo by David Hunter Hale
Cricket Edmonson, “Jars,” woodfired stoneware. Dan Molyneux, “Tenmoku Teabowl,” woodfired stoneware. Photo credit: David Hunter Hale
Randy Edmonson clay piece titled Vase, woodfired stoneware; Tyler Gulden clay piece titled Teapot, woodfired stoneware; Mary Maglieri clay piece titled Vase, woodfired stoneware; photo by David Hunter Hale
Randy Edmonson, “Vase,” woodfired stoneware. Tyler Gulden, “Teapot,” woodfired stoneware. Mary Maglieri, “Vase,” woodfired stoneware. Photo credit: David Hunter Hale
Randy Edmonson shown in the Anagama Kiln firing video; photo by David Hunter Hale
Randy Edmonson shown in the Anagama Kiln firing video. Photo credit: David Hunter Hale
Adam Paulek clay wall hanging pieces titled Goblin Market, stoneware; photo by David Hunter Hale and Adam Paulek
Adam Paulek, “Goblin Market,” stoneware. Photo credit: David Hunter Hale
Adam Paulek detail of clay wall hanging set titled Goblin Market, stoneware; photo by Adam Paulek
Adam Paulek, “Goblin Market,” stoneware. Photo credit: Adam Paulek
ceramic highlights from the collection including Hanako O’Leary's sculpture titled Kokoro no Oni (Demon of the Heart), clay and mixed media; in background is Jeremy Jernegan's wall hanging piece titled Pinwheel: DENY, glazed ceramic and stainless steel; photo by David Hunter Hale
“Ceramic Highlights from the Collection,” Hanako O’Leary, “Kokoro no Oni (Demon of the Heart),” clay and mixed media. Jeremy Jernegan, “Pinwheel: DENY,” glazed ceramic and stainless steel. Photo credit: David Hunter Hale
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